My Production Company Faith vs Fate Productions is based in Seattle, WA doing works around the Northwest. Commercials, Editing, SFX and Makeup, Color Correction, HD, Short films, Photography, Screenwriting, Script analysis, etc.

I graduated in 2008 from SFI and enjoyed all classes, Teachers, and aspects the school had to offer. Now I own and operate my own company with my wife and have met life long friends through the school and beyond in the local film community. Checkout the links below with pictures, videos, and more to check us out online and what we have been up to since SFI.

Thanks

Collin Joseph Neal
CEO-CO-Founder
Faith vs Fate Productions

http://faithvsfateproductions.blog.com/
https://www.facebook.com/FaithvsFateProductions

Recently just wrapped up on a new Tobey Maguire film shot here in Seattle entitled "The Details". And before that I did some special effects editing on "Give Em Hell Malone". I am truly greatful for these opportunities I have had this last year to work on three features, and can thank SFI for creating and bringing me into a world I never knew could exist for myself. Keep working at it everyone, film shorts in between features if you still can, keep your contacts from everywhere you go, hold on to that positive fun loving attitude, and work harder than you ever have before.

Thanks, and I will keep in touch with you all,

Collin Joseph Neal 9/17/2009
Faith vs Fate Productions
Myspace.com/zukthene

Hi my name is Collin Joseph Neal and I recently graduated last winter with the DPS 08 class. A little up to date about what I have been doing lately is working for North By Northwest Productions in Spokane, WA. In MArch I worked as a camera tech/video village assist on the film "Wrong Turn at Tahoe" Starring Cuba Gooding Jr, Harvey Kitel, and Miguel Ferrer. It was amazing and the hardest film work I have had to do to date. 16 hour days, 1 30 minute brake, but all food and drinks paid for and nothing can beat the experience I promise you that. Think of the film we did or you new students are progressing through and multiply the time spent by ten and work load and you'll get an idea of how a real full on film set works.